Books for Art Lovers

Meagan Ledendecker • July 17, 2022
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What would our world be without art? We rely on it to record our history, to express our thoughts and emotions, to communicate, to protest, and to pass the time. Flexing our creativity feels good, and admiring the artwork of others has the potential to evoke a range of experiences.

 

Maybe you already love visual art. Perhaps your child has expressed some interest. Or maybe you’re just looking for some new good books to read together. No matter your reason, we’ve got you covered. As always, we’re including titles for readers of all developmental levels, as well as links to learn more.

 

Board Books

 

My Favorite Color by Aaron Becker

Becker is a Caldecott winner, so you already know this book is going to be gorgeous. Kids change their favorite color all the time, and this book celebrates the glorious spectrum of hues with fun semi-transparent segments.

 

ABCs of Art by Sabrina Hahn

Imagine a classic children’s ABCs book combined with beautiful classic works of art, and that’s what Hahn has created. From Cezanne to Stubbs, with all the Hokusai and Monet we could wish for our infants and toddlers wedged in between, you’ll love this book as much as your little one.

 

Picture Books

 

Ablaze With Color: A Story of Painter Alma Thomas by Jeanne Walker Harvey, illustrated by Loveis Wise

Art and creativity had always been a part of Thomas’ life, but it wasn’t until her 60s that she chose to pursue it as a career. This book covers the racial injustices faced by Thomas and her family, as well as the strange and beautiful journeys our lives take.

 

Funny Bones: Posada and His Day of the Dead Calaveras by Duncan Tonatiuh

José Guadalupe Posada, the Mexican artist known to many as Lupe, enjoyed using a variety of artistic mediums for a variety of purposes. From lithography to engraving, political cartoons to the Calaveras drawings he became famous for, art was always a part of his life. Winner of the Robert F. Sibert Medal and a Pura Belpre Honor Book.

 

Radiant Child: The Story of Young Artist Jean-Michael Basquiat by Javaka Steptoe

Winner of the Caldecott Medal and the Coretta Scott King Award, Steptoe’s biography of Basquiat highlights the idea that art doesn’t need to conform to be beautiful.

 

Middle Grade

 

From the Mixed-Up Files of Mrs. Basil E. Frankweiler by E.L. Konigsburg

Claudia talks her brother into running away with her, and they end up secretly living in the Metropolitan Museum of Art in New York City. The two then get caught up in solving the mystery of a statue, and eventually realize they’re better off facing their problems at home.

 

Many Points of Me by Caroline Gertler

Georgia stumbles upon a drawing made by her father (a famous artist) before he died. She struggles to find meaning in the drawing, which seems to leave her out. Her quest to discover answers leads her, like the characters in our other middle grade recommendation, to the Met.

 

Nonfiction

 

Drawing From Memory by Allen Say

Say is another Caldecott winner, and this book is a fascinating autobiography complete with illustrations and photographs. Artists and their passions aren’t always supported, and we are all sometimes met with challenges that seem insurmountable. Say shares his journey, and how he managed to stay true to his dreams.

 

Fun and Easy Crafting with Recycled Materials: 60 Cool Projects That Reimagine Paper Rolls, Egg Cartons, Jars and More! by Kimberly McLeod

The title says it all. Some of the projects include toilet paper tube owls, 3-D hot air balloons, scrap paper trees, pirate hats, and a castle.

 

A World of Animals: Learn to Draw More Than 175 Animals From the Seven Continents!

by Rimma Zainagova

This book is perfect for animal lovers, geography lovers, and art lovers! Containing interesting factual information about the continents and zoology, there are lots of simple step-by-step drawing instructions that kids will love.

 

Graphic Novels

 

Before They Were Artists: Famous Illustrators as Kids by Elizabeth Haidle

A gorgeous anthology of shortened artist biographies, this book explores how artists’ lives during their early years. How is creativity nurtured, and what is it like when an artist is just beginning to discover their passions? Artists include Hayao Miyazaki, Trove Jansson, Maurice Sendak, Yuyi Morales, Wanda Gag, and Jerry Pinkney.

 

Doodleville by Chad Sell

Drew loves to draw, and somehow her creations actually come to life. This is great, until she draws a monster. She relies on her artistic friends to help her solve this tricky problem.

 

Young Adult

 

Making Comics by Lynda Barry

Barry is an associate professor at the University of Wisconsin-Madison, where she teaches students about art and discovery. This book is essentially her curriculum. It encourages students to see drawing as a means of expression and communication, and to stop worrying so much about artistic talent.

 

Drawing Dragons by Sandra Staple

If your teen loves drawing and fantasy worlds, this is the perfect pick for them. Along with specific instructions for learning to draw a variety of dragons, this book gives some very helpful information about drawing techniques in a general sense.

 

Little Felted Animals: Create 16 Irresistible Creatures with Simple Needle-Felting Techniques by Marie-Noelle Horvath

Your heart might just melt flipping through these pages. Learn to create a felted polar bear, sheep, dalmatian, and much more with detailed instructions and information about the materials needed to get started.

 

Mending Matters: Stitch, Patch, and Repair Your Favorite Denim and More by Katrina Rodabaugh

Clothing repair and design meets slow fashion meets artistry. Rodabaugh’s book inspires readers to grab their old torn jeans and some contrasting thread, and use them to make something beautiful.

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One of her core observations was that children naturally gravitate toward curved, flowing lines rather than the rigid, straight strokes that were (and often still are) the starting point for teaching print. She noticed this pattern across multiple contexts. When children who were learning to write began with rows of straight strokes, their attention would gradually drift, and the straight lines would slowly transform into curves, as if the child's hand were following its own natural inclination. And when children drew spontaneously by tracing figures in sand with a fallen twig, or scribbling freely on paper, they rarely produced short, straight lines. Instead, they made long, flowing, interlaced curves. Dr. Montessori paid attention. Rather than something random, she recognized the hand's natural motion expressing itself. Critical of standard teaching approaches that began with isolated geometric strokes, or regimented mark-making, Dr. Montessori saw that cursive script, with its connected, flowing letters, aligned far more naturally with the motions children were already making. It worked with the child's hand, rather than against it. The Neurological Case for Cursive Thanks to her keen observations, Dr. Montessori intuited benefits that research is now beginning to confirm. Modern brain science provides a compelling case for the value of cursive writing. This is especially powerful in early childhood, when the brain is forming the connections that will support reading, fine motor coordination, and cognitive development for years to come. Dr. William R. Klemm, writing in Psychology Today, summarized findings showing that learning cursive trains the brain to develop what researchers call “functional specialization,” or the capacity for optimal efficiency. Brain imaging studies show how multiple areas of the brain are activated simultaneously during cursive writing in a way that doesn't happen with typing or print. The integration of sensation, movement control, and thinking that cursive requires appears to support broader cognitive development in genuinely significant ways. Klemm also suggested that learning cursive trains the brain for more effective visual scanning, with potential benefits for reading speed and hand-eye coordination. In other words, the child who traces cursive sandpaper letters with their fingertips is developing neural pathways that support a wide range of future learning. Clarity, Beauty, and the Practical Benefits Beyond the neurological research, there are practical reasons that Montessori educators have observed over generations of practice. Cursive provides a better visual distinction between letters that are easily confused in print. Think about the pairs that trip up so many young learners: b and d, p and q. In cursive, these letters look different from one another, which reduces the visual confusion that causes so many children to struggle in the early stages of reading and writing. And then there is the matter of beauty, something Dr. Montessori took seriously in everything she prepared for children. She wrote that, in teaching writing, we should pay close attention to "the beauty of form" and "the flowing quality of the letters." Cursive handwriting, when developed well, is genuinely lovely. It is a form of penmanship that connects children to a long tradition of human expression through the written word. The Montessori approach treats handwriting as a craft worth caring about. What This Looks Like in the Classroom In a Montessori early childhood environment, the path to writing begins long before a child picks up a pencil. 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Her reasons for emphasizing cursive were rooted in direct observation of children. She watched children’s hands and their natural movements. She also looked to see what helped them and what created unnecessary struggle. Dr. Montessori wasn't following a trend or a theory. She was following the child. Decades later, brain imaging technology and developmental research are catching up to what Dr. Montessori saw. Flowing lines of cursive script, the sandpaper letters on the shelf, the careful preparation of the hand before children ever pick up the pencil. This is a deep and practical understanding of how children's minds and bodies actually work. For families curious about why Montessori makes this choice, the short answer is this: because children's hands already know how to make these movements. Montessori simply listens to what the hand is already telling us and builds from there. Visit our school in Lenox, MA and see the sandpaper letters and writing materials in action. 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