Books That Celebrate Asian Heritage and Culture

Meagan Ledendecker • June 21, 2021

Over the past several months, there has been a disturbing increase in hateful actions toward people of Asian descent. Most of us watch the news in horror, and while we disagree with what’s happening, it can be hard to know what actions to take.

 

We believe one of the most powerful social justice actions parents can take is to instill positive values in our children. They are never too young to learn about acceptance, equity, and the beauty in humanity’s differences.

 

This is why we would like to share this very special book list: A Celebration of Asian Heritage and Culture. Children’s books should be both a reflection of who they are and their life experiences, but also an illuminating peek into the lives and experiences of others. No one explains this better than children’s author Grace Lin. The Windows and Mirrors of Your Child's Bookshelf | Grace Lin | TEDxNatick

 

Hush! A Thai Lullaby by Minfong Ho, illustrated by Holly Meade

A Thai mother and her gentle exasperation plead with various animals to please stay quiet as her baby sleeps. They stomp and shriek past her home, and she meets each one in turn asking them to hush. Finally, as the moon rises above them, she falls asleep with her head resting on the windowsill, with (of course) her smiling and wide-awake baby beside her.

 

Round is a Mooncake: A Book of Shapes by Roseanne Thong, illustrated by Grace Lin

Round, square, rectangle...young children love to notice shapes around them in their everyday lives. The main character in this book is no exception. A beautiful blending of her family’s heritage and their modern life, she notices shapes in traditional Asian items as well as familiar everyday items.

 

We Are Inspiring: The Stories of 32 Inspirational Asian American Women by Angel Trazo

Author/illustrator Angel Trazo created this book to celebrate Asian heritage while being accessible to multiple age groups. Perfect for upper elementary students to read on their own, it can also be used as a read aloud book for younger children.

 

Suki's Kimono by Chieri Uegaki, illustrated by Stéphane Jorisch 

Suki is so excited to wear her new kimono on the first day of school. It was given to her by her obāchan and she has such fantastic memories attached to it! Besides, it’s beautiful and it shows who she is. With her sisters admonishing her choice of attire and pretending they don’t know her the whole way to school, and with some of her classmates teasing her, Suki holds her head high and takes an opportunity to tell the story of her kimono. Her bravery and strength pay off in the end, and Suki dances her way home after school.

 

The Name Jar by Yangsook Choi

Unhei and her family have just moved to the United States from Korea. After an embarrassing moment on the schoolbus involving a boy making fun of her name, she tells her classmates that she doesn’t have a name and needs to choose one. They all get to work helping her decide on one, until one girl discovers Unhei’s real name. The class works together to learn to pronounce it correctly, and Unhei is finally able to feel comfortable as her true self.

 

The Year of the Dog by Grace Lin

A perfect book for upper elementary-aged children, The Year of the Dog is the first in a three-book series that follows Pacy, a Chinese American girl. She navigates many typical coming-of-age events that are faced by most children, while simultaneously figuring out her own identity and how it is often stretched between two worlds.

 

In the Year of the Boar and Jackie Robinson by Bette Bao Lord

Young Bandit lives in China with her mother, cousins, grandmother, aunts, and uncles. The only one missing is her father, who has traveled abroad to seek his fortune. One day, he sends for Bandit and her mother, who leave the family behind and make the long journey to Brooklyn. Before leaving, Bandit is asked to choose a name, and she chooses to call herself Shirley Temple. In Brooklyn, she can’t speak English and feels lost and out of place, until she discovers Jackie Robinson. Her new hero doesn’t exactly fit in either, but he inspires her to thrive in her new home.

 

Green Lantern: Legacy by Minh Le, illustrated by Andie Tong

This is a great option for graphic novel lovers! There are elements of adventure, superheroes, honoring ancestors, and figuring out one’s place in the world. What could be more perfect for upper elementary and early middle schoolers?

 

Inside Out and Back Again by Thanhhà Lai

Told in gorgeous lyrical poetry, Inside Out and Back Again is based on Thanhhà Lai’s own childhood. She and her family lived in Vietnam during the war, and were eventually forced to flee, moving across the world to Alabama in the United States. But being in a new country, with her father missing in action, is the type of challenge no child should have to face. Sadly, it is the tale of many refugees around the world and throughout history, and an important story for us all to learn from. A National Book Award Winner and a Newbery Honor book, both upper elementary and middle school students will appreciate reading this novel.

 

The Great Wall of Lucy Wu by Wendy Wan-Long Shang

Lucy is a Chinese American girl who is headed into the sixth grade and loves basketball. With her sister Regina heading off to college soon, Lucy is eagerly anticipating the day she can have a room to herself...until it doesn’t quite work out that way. Regina (who speaks perfect Chinese and adores every aspect of her family's customs) does leave, but their grandmother’s friend comes for an extended stay - in Lucy’s room. She expects her year to be completely ruined, but readers can expect a few surprises.

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If you've spent any time in a Montessori early childhood classroom, you've likely noticed the sandpaper letters on the shelf: elegant, tactile, traced by small fingers again and again. And if you've looked closely, you may have noticed something that surprises many families. Those letters are in cursive. In a world where most children learn to print first, Montessori's cursive-first approach raises questions. Why cursive? Why so early? The answers reach back to Dr. Maria Montessori's own careful observations of children, as well as forward to what modern neuroscience is now confirming about the developing brain. What Dr. Montessori Actually Observed Dr. Montessori was a meticulous observer of children, and her thinking about writing developed through years of direct experimentation. One of her core observations was that children naturally gravitate toward curved, flowing lines rather than the rigid, straight strokes that were (and often still are) the starting point for teaching print. She noticed this pattern across multiple contexts. When children who were learning to write began with rows of straight strokes, their attention would gradually drift, and the straight lines would slowly transform into curves, as if the child's hand were following its own natural inclination. And when children drew spontaneously by tracing figures in sand with a fallen twig, or scribbling freely on paper, they rarely produced short, straight lines. Instead, they made long, flowing, interlaced curves. Dr. Montessori paid attention. Rather than something random, she recognized the hand's natural motion expressing itself. Critical of standard teaching approaches that began with isolated geometric strokes, or regimented mark-making, Dr. Montessori saw that cursive script, with its connected, flowing letters, aligned far more naturally with the motions children were already making. It worked with the child's hand, rather than against it. The Neurological Case for Cursive Thanks to her keen observations, Dr. Montessori intuited benefits that research is now beginning to confirm. Modern brain science provides a compelling case for the value of cursive writing. This is especially powerful in early childhood, when the brain is forming the connections that will support reading, fine motor coordination, and cognitive development for years to come. Dr. William R. Klemm, writing in Psychology Today, summarized findings showing that learning cursive trains the brain to develop what researchers call “functional specialization,” or the capacity for optimal efficiency. Brain imaging studies show how multiple areas of the brain are activated simultaneously during cursive writing in a way that doesn't happen with typing or print. The integration of sensation, movement control, and thinking that cursive requires appears to support broader cognitive development in genuinely significant ways. Klemm also suggested that learning cursive trains the brain for more effective visual scanning, with potential benefits for reading speed and hand-eye coordination. In other words, the child who traces cursive sandpaper letters with their fingertips is developing neural pathways that support a wide range of future learning. Clarity, Beauty, and the Practical Benefits Beyond the neurological research, there are practical reasons that Montessori educators have observed over generations of practice. Cursive provides a better visual distinction between letters that are easily confused in print. Think about the pairs that trip up so many young learners: b and d, p and q. In cursive, these letters look different from one another, which reduces the visual confusion that causes so many children to struggle in the early stages of reading and writing. And then there is the matter of beauty, something Dr. Montessori took seriously in everything she prepared for children. She wrote that, in teaching writing, we should pay close attention to "the beauty of form" and "the flowing quality of the letters." Cursive handwriting, when developed well, is genuinely lovely. It is a form of penmanship that connects children to a long tradition of human expression through the written word. The Montessori approach treats handwriting as a craft worth caring about. What This Looks Like in the Classroom In a Montessori early childhood environment, the path to writing begins long before a child picks up a pencil. Practical life activities like pouring, spooning, buttoning, and lacing quietly help children develop the fine motor control and hand-eye coordination that writing requires. The sensorial materials train children’s pincer grip and refine the precision of small muscle movements. And the metal insets give children practice with the flowing, curved lines that build cursive letters. Then children begin using the sandpaper letters. While verbalizing the phonetic sound, children trace the letter with two fingers. Children feel the letter, produce its sound, and see its form. This multi-sensory experience engages multiple brain areas simultaneously and creates rich, layered associations that support both writing and reading development. By the time children are ready to write independently, they have been preparing their hand and mind for months, often without even realizing it. A Method Ahead of Its Time Dr. Montessori consistently arrived at insights that research has later confirmed. Her reasons for emphasizing cursive were rooted in direct observation of children. She watched children’s hands and their natural movements. She also looked to see what helped them and what created unnecessary struggle. Dr. Montessori wasn't following a trend or a theory. She was following the child. Decades later, brain imaging technology and developmental research are catching up to what Dr. Montessori saw. Flowing lines of cursive script, the sandpaper letters on the shelf, the careful preparation of the hand before children ever pick up the pencil. This is a deep and practical understanding of how children's minds and bodies actually work. For families curious about why Montessori makes this choice, the short answer is this: because children's hands already know how to make these movements. Montessori simply listens to what the hand is already telling us and builds from there. Visit our school in Lenox, MA and see the sandpaper letters and writing materials in action. We'd love to show you how the path to writing unfolds in Montessori.
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