Graphic Novels (ages 6-18)

Meagan Ledendecker • October 4, 2021

Graphic novels are having a moment. There was a time not long ago when it was easy for most adults to view them as “not real” books. Today we know that couldn’t be further from the truth. Many graphic novels are of very high quality; the plots and characters are well developed, and the novels are recognized for the important contribution they make to youth literature. Graphic novels can motivate reluctant readers and increase reading comprehension. And what’s even better? There are great options out there for readers of all ages.

 

Whether your child is six or soon heading off to college, check out our list for suggestions. Many of these are part of a series, so it’s easy to get hooked on one title and feel eager to reach for the next. Suggested ages are listed below each title (but we will fully admit that we loved reading each and every one).

 

Narwhal: Unicorn of the Sea by Ben Clanton

(6-9 years) One day, a narwhal and a jellyfish meet, neither one believing the other is real. They decide to be friends anyway, and embark on many silly adventures, with some amazing science facts sprinkled in along the way. Narwhal and Jelly love to use their imaginations, about as much as they love waffles!

 

Arlo & Pips: King of the Birds by Ben Clanton

(6-10 years) Arlo, a crow of many talents, meets a tiny yellow bird named Pips. Together, they wander around the city, delighting readers with incredible information about crows (did you know they give gifts to people they like?) and plenty of jokes.

 

Consent (for Kids!): Boundaries, Respect, and Being in Charge of YOU by Rachel Brian

(6-10 years) If we could recommend just one book on this list, it would be this one. The information on these pages is critical for all children to read, and the illustrations and text are presented in such a way that will keep readers interested. Sitting and reading this one together with your child will provide opportunity for some important conversations.

 

Binky the Space Cat by Ashley Spires

(ages 7-10) Binky is an indoor house cat. He loves the large and small humans that live with him, but he fears for all their safety because he believes there are space aliens just outside the door. The only logical thing to do is to become a certified space cat, build a spaceship, and do everything he can to protect those he loves. This book is fantastically ridiculous.

 

Noisemakers: 25 Women Who Raised Their Voices & Changed the World

(8-12 years) From the makers of Kazoo (an amazing magazine for kids), this collection is graphic novel meets Goodnight Stories for Rebel Girls. Information on each woman is clear and accessible, and teaches readers about influential women. Included are figures such as fossil hunter Mary Anning, ballerina Maria Tallchief, detective Kate Warne, and explorer Jeanne Baret.

 

Science Comics: Coral Reefs: Cities of the Ocean by Maris Wicks

(9-13 years) Packed with fascinating information (like radial symmetry, life cycles, animal classification, ocean salinity, reef formation, and the water cycle), science-loving kids will really enjoy this book. Coral reefs, the creatures that live within them, and their effect on other living systems are more complex than one might think. Bright illustrations and a friendly fish narrator keep readers turning the pages.

 

Seen: True Stories of Marginalized Trailblazers: Rachel Carson by Birdie Willis, Rii Abrego, and Kieran Quigley

(11-16 years) This one might be a little trickier to track down; we found our copy at our local library, but it’s also sold at comic book stores. Definitely worth the extra searching, this book tells the true story of a girl who grew up loving nature and writing, and eventually found a way to put both talents to good use. Rachel Carson changed the way the people looked at the environment, and the role we play in caring for it.

 

The Girl from the Sea by Molly Knox Ostertag

(12-18 years) Morgan is 15, and her life isn’t exactly what she wants it to be. Her parents just got divorced, her little brother is being rude, and she’s hiding a pretty big secret. She’s realized she likes girls, but she doesn’t feel like she can tell anyone until she goes off to college in a few years. Then she accidentally falls into the ocean and is saved by a beautiful girl named Keltie, who turns out to be a selkie with the heart of an environmentalist. Morgan’s summer - and life - is about to change.

 

Constitution Illustrated illustrated by R. Sikoryak

(13-18 years) Everyone living in the United States should read through the constitution at some point, and with the recent major shifts in our nation, even adolescents are becoming more interested in learning about politics and our history. This book contains the original text, accompanied by some entertaining illustrations. Characters like Calvin and Hobbs, the Peanuts, Spongebob, and senators and congressmen stylized like superheroes grace the pages, making reading the text more relatable to young people.

 

Run by John Lewis and Andrew Aydin, illustrated by L. Fury and Nate Powell

(13-18 years) “First you march, then you run.” Co-authored by former Congressman Lewis and released this past August, Run details what it’s like to work against oppressive systems, and how that work can span decades. Covering some of the most influential moments of the civil rights movement, Lewis emphasizes that those powerful events were the beginning of a long and challenging journey.

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One of her core observations was that children naturally gravitate toward curved, flowing lines rather than the rigid, straight strokes that were (and often still are) the starting point for teaching print. She noticed this pattern across multiple contexts. When children who were learning to write began with rows of straight strokes, their attention would gradually drift, and the straight lines would slowly transform into curves, as if the child's hand were following its own natural inclination. And when children drew spontaneously by tracing figures in sand with a fallen twig, or scribbling freely on paper, they rarely produced short, straight lines. Instead, they made long, flowing, interlaced curves. Dr. Montessori paid attention. Rather than something random, she recognized the hand's natural motion expressing itself. Critical of standard teaching approaches that began with isolated geometric strokes, or regimented mark-making, Dr. Montessori saw that cursive script, with its connected, flowing letters, aligned far more naturally with the motions children were already making. It worked with the child's hand, rather than against it. The Neurological Case for Cursive Thanks to her keen observations, Dr. Montessori intuited benefits that research is now beginning to confirm. Modern brain science provides a compelling case for the value of cursive writing. This is especially powerful in early childhood, when the brain is forming the connections that will support reading, fine motor coordination, and cognitive development for years to come. Dr. William R. Klemm, writing in Psychology Today, summarized findings showing that learning cursive trains the brain to develop what researchers call “functional specialization,” or the capacity for optimal efficiency. Brain imaging studies show how multiple areas of the brain are activated simultaneously during cursive writing in a way that doesn't happen with typing or print. The integration of sensation, movement control, and thinking that cursive requires appears to support broader cognitive development in genuinely significant ways. Klemm also suggested that learning cursive trains the brain for more effective visual scanning, with potential benefits for reading speed and hand-eye coordination. In other words, the child who traces cursive sandpaper letters with their fingertips is developing neural pathways that support a wide range of future learning. Clarity, Beauty, and the Practical Benefits Beyond the neurological research, there are practical reasons that Montessori educators have observed over generations of practice. Cursive provides a better visual distinction between letters that are easily confused in print. Think about the pairs that trip up so many young learners: b and d, p and q. In cursive, these letters look different from one another, which reduces the visual confusion that causes so many children to struggle in the early stages of reading and writing. And then there is the matter of beauty, something Dr. Montessori took seriously in everything she prepared for children. She wrote that, in teaching writing, we should pay close attention to "the beauty of form" and "the flowing quality of the letters." Cursive handwriting, when developed well, is genuinely lovely. It is a form of penmanship that connects children to a long tradition of human expression through the written word. The Montessori approach treats handwriting as a craft worth caring about. What This Looks Like in the Classroom In a Montessori early childhood environment, the path to writing begins long before a child picks up a pencil. Practical life activities like pouring, spooning, buttoning, and lacing quietly help children develop the fine motor control and hand-eye coordination that writing requires. The sensorial materials train children’s pincer grip and refine the precision of small muscle movements. And the metal insets give children practice with the flowing, curved lines that build cursive letters. Then children begin using the sandpaper letters. While verbalizing the phonetic sound, children trace the letter with two fingers. Children feel the letter, produce its sound, and see its form. This multi-sensory experience engages multiple brain areas simultaneously and creates rich, layered associations that support both writing and reading development. By the time children are ready to write independently, they have been preparing their hand and mind for months, often without even realizing it. A Method Ahead of Its Time Dr. Montessori consistently arrived at insights that research has later confirmed. Her reasons for emphasizing cursive were rooted in direct observation of children. She watched children’s hands and their natural movements. She also looked to see what helped them and what created unnecessary struggle. Dr. Montessori wasn't following a trend or a theory. She was following the child. Decades later, brain imaging technology and developmental research are catching up to what Dr. Montessori saw. Flowing lines of cursive script, the sandpaper letters on the shelf, the careful preparation of the hand before children ever pick up the pencil. This is a deep and practical understanding of how children's minds and bodies actually work. For families curious about why Montessori makes this choice, the short answer is this: because children's hands already know how to make these movements. Montessori simply listens to what the hand is already telling us and builds from there. Visit our school in Lenox, MA and see the sandpaper letters and writing materials in action. We'd love to show you how the path to writing unfolds in Montessori.
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